DEADLINE THIS FRIDAY!
‘New approaches to gender, film and television: Histories and futures in the digital age’
A postgraduate conference
organised in association with BAFTSS
Saturday 22nd June 2013, De Montfort University, Leicester, UK
Dr. Clarissa Smith (Reader in Sexual Cultures, University of Sunderland)
Author of One for the Girls! The Pleasures and Practices of Reading Women’s Porn (2007, Bristol: Intellect)
This conference is in receipt of a BAFTSS funding award to assist postgraduate delegates with travel, accommodation, and/or registration costs.
Awards will be offered in the first instance as 2 x £125 for delegates attending from outside of the UK, OR as smaller bursaries of up to £50 for those travelling within the UK, if no suitable international applications are made.
In recent years, film and television studies have seen a sustained focus on gender as both a category and an object of analysis. The CATH Centre has been an active participant in highlighting the efforts of women through collaborative ventures such as ‘Cine Sisters’, in conjunction with the Cinema Museum, and the ‘Adopt a Woman’ campaign as part of the BECTU Oral Histories project. These projects, as well as research elsewhere like the AHRC-funded Global Queer Cinema project, indicate a growing interest in re-examining gendered boundaries in the film and television industries and in textual representation. Simultaneously, new technologies and digital practices are changing how archival material is disseminated, while online spaces are inciting new forms of fan response and interaction, and new forums are emerging for academics to engage with wider publics, fans and audiences. These technological and cultural shifts are increasingly pertinent to the study of gender in film and television studies but remain, as yet, under-theorised.
This conference will seek to explore the effects of rapidly changing technologies and platforms on the study of gender in film and television. What methodological challenges face postgraduate researchers in a context of constant change? How do new approaches to film and television studies affect gender representations and the way that we interpret them? And how do changes in the present affect how we approach studies of gender, past and future?
We invite papers that engage with studies of gender, new technologies and digital practices either through specific case studies or in broader theoretical reflections. Possible subjects include, but are not limited to:
– Past and future issues of gender in the film and television industries;
– The implications of changing platforms to contemporary and future studies in reception;
– Online film and television criticism and new possibilities for academic engagement;
– Textual representations of gendered futures and the future of gender representation;
– How new technologies and digital practices affect studies of gender in film and television history.
Abstracts of 200-300 words for papers of 20 minutes, plus a short biography, should be sent to firstname.lastname@example.org by Friday 12th April 2013, with an expression of interest should you wish to be considered for the BAFTSS funding.
Potential delegates and attendees may also be interested Console-ing Passions (www.console-ingpassions.org), an three day international conference on television, audio, video, new media and feminism, taking place at De Montfort University from June 23rd.
- Women lost in the academy: why we need gender studies (theconversation.com)
- Feminist Game Studies – Defining the field (hastac.org)